Generalni filmski topik

[Radim247]

Evo maknuo sam.

RULA REFERENCA :O 

[depresija]

 

[Gerogerigegege]

jebemti

vrati sad da ja vidim

[Ixy]

Budući da Expendablesi nisu dovoljno bijedni...


... priča se o ženskoj verziji.

[Gerogerigegege]

mora bit cynthia rothrock <3 taman je opet počela snimat.

[Gerogerigegege]

This documentary explains in detail what filming techniques Kubrick used to fake the Apollo 11 moon landing. The second part shows how Kubrick used his movie 'The Shining' to reveal to the world the dark secret to the world about mission A11. They probably did land on the moon, but the films and pictures we have been shown - without doubt - have all been manufactured by the great director and artist of 2001 - A Space Odyssey. The evidence shown in this film is simply irrefutable. However, with his movie 'Eyes Wide Shut' Kubrick had gone too far and that's why he had to be silenced forever. Under the masonic moon..

ima na pajratneju oba.

[Jadran]

link? ime? nešto?

[Gerogerigegege]

aha sori nisam stavio a mislio sam

Kubrick's Odyssey - Secrets Hidden in the Films of Stanley Kubr
Beyond the Infinite - Kubrick's Odyssey II

[Ixy]

Ove šeme sa Shiningom sam čitao po netu.

Sranje je uistinu šašavo.

[Jadran]

http://www.imdb.com/title/tt1876451/

jebemti boga glupi crnački filmovi  svi glumci su crnci nez 

[Garamel]

I tebi je profilna crna xD

[Facaa]

Kjubrik masoni zavjere.

Većina je vjerojatno iz ovoga doku filma. Što je zanimljivo na više načina.
http://www.imdb.com/title/tt0344160/

[Psajdak]

Jesu li filmovi (noviji, jel) bolji nego ikada?

[Gerogerigegege]

nego dosta vremena zadnjih čak i jesu. jedno vrijeme, negdje kasne nulte, bilo je baš mračno i teško doba.

[n00b]

Side by side (2012)



Movies were shot, edited and projected using photochemical film. But over the last two decades a digital process has emerged to challenge photochemical filmmaking.

SIDE BY SIDE, a new documentary produced by Keanu Reeves, takes an in-depth look at this revolution. Through interviews with directors, cinematographers, film students, producers, technologists, editors, and exhibitors, SIDE BY SIDE examines all aspects of filmmaking — from capture to edit, visual effects to color correction, distribution to archive. At this moment when digital and photochemical filmmaking coexist, SIDE BY SIDE explores what has been gained, what is lost, and what the future might bring.