The Beatles Stereo Box SetThe Beatles always stood apart from their peers, a self-evident statement that sadly extended to the treatment of their catalog in the digital age. Where all their peers from the Byrds to the Who have had their catalogs remastered and reissued in deluxe editions, sometimes several times, the Beatles remained stuck in the early days of digital, their 14 albums plus Past Masters singles collection remaining untouched since 1987. Anniversaries came and went, but no remasters arrived until the release of the video game The Beatles Rockband pushed a long-overdue revamping of the band's entire catalog into the stores on 9-9-09. This reissue campaign corrects almost all the problems of the original 1987 CDs: the sound and artwork are improved, and all the original mono and stereo mixes finally see the light of day. Naturally, it's possible to quibble about some details of the presentation, particularly the decision to split the reissue into two separate box sets, one covering the stereo mixes and one the mono mixes, with only the stereo mixes available as individual discs (it's still possible to complain that the albums do not add era-specific singles or outtakes, but such expansions were never really in the cards), but both boxes still constitute the best Beatles by far. Crucially, it's also inarguably the best-sounding Beatles music ever released, robust and rich even on the earliest rock & roll. None of the albums have been remixed — although Help! and Rubber Soul retain Martin's 1987 mixes, the original stereo mixes are bonuses on the mono set — so this doesn't shock the way the Yellow Submarine soundtrack did with its reimagined stereo mixes. Nevertheless, these remasters surely do surprise with their clarity and depth, with each album feeling bigger and fuller than the previous CD incarnation, but not artificially so. It's not that these are pumped up on digital steroids; it's that the veil has been lifted, so everything seems full and fresh. Appropriately, there's more to savor from Help! onward, as the Beatles' productions grew ambitious, but Please Please Me, With the Beatles, and A Hard Day's Night all have a strong punch, while Beatles for Sale is warmer than the previous disc.
As a package, the stereo box is slightly unwieldy — it's a large, vertical set with two stacks of discs in slick cardboard sleeves piled on top of each other. No extra book is included with the set, but each disc has its own booklet with dry, straightforward liner notes detailing the recording process instead of analyzing the music. If anything about the set could be called disappointing, it's the mini-documentaries attached to each disc as Quicktime files and collected on a DVD bonus for the box. "Mini-documentary" may even be stretching what these are: they're three to five infomercials about the albums, not much more informative than the notes themselves. Nevertheless, these do offer annotation, something sorely lacking from the first CDs, and they do replicate the original notes — in the case of Magical Mystery Tour, including the entire storybook; in the case of Pepper, all the 20th anniversary annotation is added — finally bringing the Beatles to the same standard for reissues that every other major (and most minor) bands have had for years now. And the story, at least for the stereo box, is not the packaging — it's the glorious sound that makes this such a treat. There's also no question that those who waited 22 years to hear a better version of the Beatles will not be disappointed (although they may still wonder why it took so long for the Fabs to be treated as they deserve).
Unutra su stereo remastred albumi, valjda sve ikad što vam treba. Savršeno odrađen posao, treba pola sata navikavanja na relativno hard stereo bitlse, al kad se navikneš savršeno. Mislim o samim albumima neću, jer ono, to su bitlsi.
Gota Yashiki - It's So Different HereEven if the label on the disc hadn't offered reassurances that "this is acid jazz," composer/producer Gota Yashiki's It's So Different Here lets listeners know with raging electric guitar textures that add an alternative rock zip to '70s-flavored keyboard riffs, spacy effects, and bouncing grooves that even 3rd Force would have trouble keeping up with. Occasional tracks like "Sensual Wave" keep the disc just cool and romantic enough to achieve mainstream acceptance outside of the acid jazz world. On the other hand, reliance on bland vocals to find airplay possibilities in the smooth jazz world comes across as heavily contrived and fairly uninteresting. While Yashiki, providing all programming loops, leads the way, it's the performances by keyboardist Bernie Worrell and saxmen Ian Kirkham and Jacko Peake that make the positive differences referred to in the album title.
Kao neki gay jazz, mrtvo smeće, neslušljivo. Al ne ka neslušljivo, jerbo nisam naviknut na free jazz, avant garde jazz. To nije takav jazz. Neko gay acid jazz, smooth jazz, s električnom gitarom. Tak mi i treba kad rendom skidam stvari.
