Moguće :solidus:
"Ariadne is the KEY player. She performs an inception on Cobb. Ariadne led Theseus out of the labyrinth and she does the same to Cobb. Cobb had to let go of his regrets and guilt (the key song is Je Ne Regrette Rien - I regret nothing). He does so when he goes all the way into his subconscious and has the insight that he must let go of his wife. This sets up four possible interpretations:
-Ariadne unintentionally provokes his insight. She hounds him the whole movie to resolve his Mal issues because they're endangering the mission and because she wants him to move on with his life. When they go deep enough, he realizes she is correct, accepts the thought on his own, and lives his life without regret when they resurface. The top drops after curtain.
-Ariadne intentionally incepts Cobb, probably working for Michael Caine. Caine introduces Ariadne to Cobb. Caine says it's time for Cobb to "come back to reality." She knows what she's doing the whole time and is setting up Cobb to let her in to his deepest subconscious so that she can incept him with the idea that he must go on with his life. The top drops.
-Cobb incepts himself after the phonecall from his kids and keeps himself in a permanent dream like the addicts in Mombasa. Cobb is tortured by his guilt and can't even enjoy seeing his kids in his dreams so he sets up the inception to delude himself within the dreamworld that he has overcome his demons and is living happily ever after. Notice that the chase scene in Mombasa is especially dreamlike (walls closing in, unexpected savior). The top spins and Cobb doesn't return to the reality we've seen.
-The entire movie is an inception on Cobb to delude him into thinking that he's happy in the dreamworld and can live without regrets. Top spins, nothing we've seen is real."
